Amplifying Queer & Trans history and the stories of Latinx & Afro-Latinx Gay | Queer | Trans | Bisexual Men & Bois
on this date in 1981, the new york times printed an article with the headline “rare cancer seen in 41 homosexuals.” this headline is historic because it is the first mention of what would become the hiv epidemic. at this time, on this date in 1981, the epidemic didn’t have a name.
even after 36, it is still chilling to read this headline because it is a sobering reminder of all that the world didn’t know about hiv. what caused it? how to treat it? we didn’t know shit! it took three years to identify HIV. three years to find out that it wasn’t cancer. however, in those three years, stigma, blame, and shame didn’t need a name to thrive. many died not even knowing the name of the disease that robbed them of breath and humanity.
this headline is historic because it is the first mention of what would become the hiv epidemic.
36 years later we know so much. we have survived so much. we now have life-saving meds. we now even have PrEP - the pill that helps to prevent hiv infection. this is huge because, in 1981, treatment for any virus was rare, yet alone a virus that was virtually unknown.
we still have work to do. we still have to shift culture and we still have to fight health care and access. we still have to fight to live. but we know so much more now than we did on july 3, 1981.
By the time my 4th birthday came, June of 1994, I was already sure of who I was. Now not consciously, but naively. I was a tiny little being with a big imagination and little to worry about. My mom let me be exactly who I was.
Straight out of 94, Power Rangers was my jam! That was my show. My favorite characters were the Pink and Yellow rangers. I probably kicked and screamed for the cake I wanted, and my mom let me. Maybe the pink ranger was probably a little much for her, but at least I got the yellow one.
It would be in the following years to come that I would have the same love and obsessions for characters like Buffy the Vampire Slayer and the the witches of Charmed.
I was diagnosed with HIV at age 19. I fuckin’ hated taking my meds. They made me feel absolutely terrible, but I knew I had to. The only thing that made the experience bearable was knowing that my HIV meds were in my body, decolonizing, slaying, and vanquishing the virus flowing freely in my blood.
I guess Iʼve always have an infinity for strong bad ass, ass kicking women. Just like the woman lighting the candles, my mother.
born on september 7, 1957, in columbia, ohio, jermaine, who was already a budding entertainer, got his first taste of fame when became a soul dancer after his family moved to chicago in 1972. jermaine became a local celebrity and when the show relocated to los angeles, jermaine, along with friend, jody watley followed.
by 1979, jody was scoring hits as part of the r&b group, shalamar. jermaine joined the group on tour as a background dancer and singer.
a chance meeting with boy george of culture club in 1983, not only resulted in jermaine providing backing vocals on the group’s top 10 hit, “miss me blind”, but the group financed jermaine’s demo that eventually landed him a deal with arista records
his debut single, the cheeky, “the word is out”, was released in 1984 and became a hit on the club circuit. it wasn’t until two years later with the release of his sophomore album, “frantic romantic”, that jermaine scored his biggest hit.
released in 1986, “we don’t have to take our clothes off” was touted by some as an “abstinence only” theme during a time when the country’s panic around hiv dominated prevention messaging. the song became a worldwide hit reaching top 5 in the united states, uk, germany and canada.
the follow-up single “jody” was inspired by his friend jody watley. while not a major cross-over hit, it did land at #9 on the dance chart in late 1986.
jermaine was able to bounce back in 1988, when “say it again", (still one of my fave pop songs of all time), peaked at #27 on the hot 100 and top 10 around the world. it was his last major hit before fading from the music scene in 1991.
on march 17, 1997, jermaine died of complications caused by HIV. he was just 39 years old. his burial site was left without a tombstone (it didn’t even have a grave marker) for over 17 years. jermaine finally received tombstone in 2014 after it was anonymously paid for by a fan.
blessed are those who mother the children the world left alone to mind themselves. blessed are the queens who build a queendom for these children to survive and thrive. pepper labeija was both mother and queen and on this #mothersday weekend, we speak her name.
born on november 5, 1948 in the bronx, new york, pepper became the mother of the house of labeija (pronounced la-BAY-zha) in the 1982 after the founding mother, crystal labeija died.
under pepper’s leadership, the house continued to pave the way both drag and ballroom culture. the family structure that has long been the foundation of black and brown ballroom houses was created by the house of labeija and pepper played an integral part of this.
pepper and the house of labeija rose to mainstream prominence when they were featured in the 1990 documentary film, “paris is burning.”
pepper spent most of her life providing refuge for black and brown trans and queer young people during and after the height of the aids and crack epidemic. like many of the house mothers of her time, pepper helped to cultivate a space where black queer and trans people could live out their fantasies and those fantasies included a universe without homophobia, transphobia and racism.
on may 14, 2003, mother pepper labeija became an elder when she died of a heart attack at the age of 54.
in a new york times tribute printed on may 26, 2003, douglas martin wrote, “pepper was the last of the four great queens of modern harlem balls; angie xtravaganza, dorian corey and avis pendavis all died in recent years. these four exuded a sort of wild expressionism that might make las vegas girls seem tame.”
happy mother’s day, pepper! thank you for all of the new earths you helped to create when ours was burning down.
As far back as I can remember, being a little kid in my bedroom, I would dance and put on little stage shows and lip-sync in the mirror before I even saw that on TV, ya know. I definitely grew up watching MTV and I was like a video baby where it was like, “whose music video is on TV?” Now they don’t play video on MTV. So when it was time to graduate high school, I was like, “Well, I need to go to college, what is that going to look like?” And I thought, “What do I want to do?” and I could never find clothes for myself, the way I envisioned them in my head, so I went to fashion school. Graduate Fashion School and I was working in the industry for a little bit, and I was till kinda bored and my soul always wanted to dance. One weekend I decided to go take a dance class and when I was done with that dance class, the instructor pulled me to side and he said, “Who’s your dance agent?” I was like, “What do you mean?” He was like, “You’re not signed?” I was like, “No, this is my first dance class.” He was like, “Oh my god. You did really well. You need to be doing this.”
I was doing fashion and then I was a back-dancer. I quit my job so that I could audition. I was booking a few commercials, coca-cola commercials, a few stage shows here and there, dancing back-up for some artists; I loved it but there something more calling me. One day, over Christmas break, I was in my kitchen and I just started spitting out lyrics and started writing them down. My first song, “Bangie Power”, came from that. I worked with a producer to come up with the song and I did a video for it; choreographed, styled it and I was like, “This is it!” I’m putting my fashion with my dance and what I have to say into this visual package. That’s when I found that I was home as an artist.
My first two performances, at Mustache Mondays and at Carnival, which is a Choreographers Ball, I knew that’s what I was to do. It was the easiest, effortless thing I could do. It was easier than just designing for another brand; it was easier than being a back-up dance and fitting in into a cast of like 10. Taking center stage, just expressing myself in all my authenticity, was the easiest thing for me to do that I was like, “I’m going to do this for the rest of my life.” No matter how hard it gets, no matter what I have to do, no matter how in debt I am, no matter where I’m living, who’s couch I’m crashing on, this is what I’m gonna do.
It’s that dream that I had when I was little kid. I would go to bed and dream of me being on this stage doing these elaborate performances that didn’t make sense then but now I’m like holy shit, I’m in my dream.
AB Soto, He/Him/His Los Angeles, CA
interviewed & photographed by: louie a. ortiz-fonseca
Since last August, we have been working hard to make this Gran Varones Fellowship happen. When we launched Gran Varones on this date exactly five years ago, it has been our commitment to build power at the community level. It was this very commitment that inspired us to launch the Gran Varones Positive Digital Arts Fellowship.
Gran Varones was awarded a grant (our very first!) from ViiV Healthcare to launch a year-long (March 2019 – January 2020) national fellowship to develop the leadership of a cohort of six HIV positive Latinx Gay, Queer, Trans and Bisexual Men ages 21-35. This cohort of creatives will be supported with resources to combat HIV stigma and promote family acceptance in Latinx communities through digital storytelling, community building and cultural organizing.
Through an online application process, we received responses from brilliant applicants from all over the country. Narrowing the list down to six people was almost impossible. In fact, we were originally budgeted to select five fellows but decided on six because, well, why not?
We selected six brilliant creatives from just as many cities. We prioritized creatives who are new to the digital organizing and/or storytelling space. And after sharing time and space with them during our first of two convenings a few weeks ago, we are excited about all of the magic that they will be creating as individuals and as a cohort.
In addition to creating content for GV, each fellow will organize a community-based event. This will expand our commitment of building power through storytelling by making it even more accessible. These six fellows are going to create a new earth!
Here are the six Gran Varones Positive Digital Arts Fellowship:
Carlos Moreno (He/They) Los Angeles, CA
A Gemini in his 28th year of existence, Carlos is a proud Chicanx living his truth as an HIV Positive Queer person from Tucson, Arizona. A product of migration, this first generation being strives to make a helpful and lasting impact on the HIV/AIDS community, both globally and locally. He has stood alongside others in the fight against HIV/AIDS in prevention and as well as in care. Unscathed by stigma, He has navigated the last ten years of his life by reclaiming any animosity he’s faced and turned it into a therapeutic artistic expressions. A natural introvert himself, Carlos has struck chords with folks using simple imaging and messaging, leaving faces shocked, surprised, amused, or not in agreement, but definitely began a conversation. Carlos wants nothing more than for other Poz folk to join in on this ARTivism movement, share their experiences and connect with others so that we don’t all feel alone, especially Queer and Trans people of Color. It has been a dream of his to see there be space for distributing such products at events where other LGBTQ/Hetero/ HIV/AIDS information is being accessed. Carlos believes that it is important that people living with or affected by HIV/AIDS have access to the same empowering messages the HIV Negative and prevention communities do, that they are equally represented with pride and equity. Without a real push for some financial assistance, these items may only be limited to the creator and not have the opportunity to help inspire other Poz communities to flourish.
José A. Romero (He/They) Durham, NC
is an abolitionist organizer, immigrant defense strategist, and Poz Poet living in Durham, NC. The first in their bio-family born in the “US”, José is the descendant of working-class immigrants from Morazán, El Salvador and Michoacán, Mexico. Born in Washington State and raised between there and Michoacán, José’s political awakening arose while witnessing kindred femmes undo misogyny and while learning English to confront the borders their family endures. José moved to Philadelphia to attend the University of Pennsylvania where they were active in movements to confront anti-blackness/homophobia. In Durham they use their research background and direct-action experience to honor past, present, and future radical ancestors. Inspired by apocalypse and alchemy, José’s abolitionist organizing for black/brown flourishing includes work with Durham Beyond Policing, Durham’s Participatory Budgeting Steering Committee, and various immigrant/queer/trans defenders. They have worked on anti-deportation/sanctuary cases across NC and are a proud member of Southerner’s on New Ground working to end money bail, abolish ICE, and pleasurably undo anti-blackness in Latinx communities. José is currently Directing the first Latinx Southern Regional Health conference for the National Latino Commission on AIDS. They’re working on two collections of poetry titled ICEBREAKERSand POZITIVE. They are the host of an open mic series and queer friendship/dating party collectively called MELT. They make their money working at a queer punk bar, as an interpreter, and as a consultant. You can find/book them at @PupusaPapi_27 on Instagram and @RomeroFlux on Twitter. José dreams of curating an Arabic/Mandarin/Spanish exhibit/mixtape as well as opening and inviting y’all to a mobile Freedom School dedicated to astrobiology, pupusas, synesthesia, and uprising.
J. Aces Lira (He/Him/His) Chicago, IL
Aces Lira is an MSW/MA graduate student in Women Studies and Gender Studies at Loyola University Chicago. As a Research Assistant, he is based in the US Regional Network within the International Partnership for Queer Youth Resilience (INQYR) and is getting a foot in the door on all things research-related. Outside of the books, Aces orchestrates portraits along with art through different mediums and also lives for National Park excursions.
Marci Garcia (He/Him/His) Brownsville, TX
Sometimes life feels just like one of those theatrical plays or big screen movies; a bunch of dialogue, drama, adventure, tragedy and tears, and a lot of laughter and happy moments as well, all combined. My movie opens in Mexico, born and raised until the age of 10. I was a lucky boy that grew up in a very loving family; abuelos, tios, primos and my beautiful parents and brother always by my side. Still, I was a lonely kid. A kid that knew he was different and had a very a hard time fitting in, all the way through high school and college years. Never an obstacle to aspire to go out in the world and follow my dreams though. Today, I feel I am blessed and thankful to life for being different. I didn’t choose to be who I am, I just got lucky. Throughout my professional career I have wanted to find the place where I know I am not only getting a paycheck but also making a positive difference somehow. Again, through life’s unique way of arranging things I believe I have found that. I am currently part of an extraordinary non-profit organization whose goal is to provide sexual education, HIV prevention and wellness services to the community of South Texas. Being here truly inspires me to become more involved, gain knowledge and to help out combat the HIV stigma that is still out there. I know because I see it, I hear it, I live it. I believe I am working for this agency for a reason. I believe I am ready to accept and say who I am, what I am and what I aspire to become.
Dimetri O’Brien (He/Him/His) Washington, DC
Strategic, multidisciplinary designer & social media coordinator with a spirit for service & innovation born in Port of Spain Trinidad with roots in Jackson, MS . Dimetri has worked with a multitude of clients on projects ranging from graphic design to consultation & management and although his skill set is vast, his greatest expertise revolves in the worlds of programming for YMSM ages 18-29, social media, brand identity design, content creation and print collateral. Dimetri currently serves as a communications assistant in Washington, DC managing communications and branding for a national non-profit agency. His graphic design portfolio can be viewed at “dimmydoesit.com”
Raúl Xavier Ramos (He/Him/His/They/Them/Theirs) Brooklyn, NY
Raúl is a 26-year-old Boriqueer social justice organizer based out of Brooklyn, New York. Using graphic design and performance art as forms of accessible political education , Raúl is dedicated to the liberation of all queer and Gender Non-conforming people of color, persons with disabilities, and those that experience realities in ways the culture would call “mentally ill.” Healing justice is at the center of Raúl’s work, having become Poz at the turning point of his adult life. He is unapologetic in how he loves and in the ways he fights for justice.
on may 6, 1989, puerto rican freestyle/pop singer, safire, peaked at #12 on the hot 100 and #4 on the AC chart with the ballad, “thinking of you.”
born wilma cosmé in san juan puerto rico and raised in east harlem, safire was one of the first freestyle solo artist to land a deal with a major record label after her first two independently released singles, “don’t break my heart” (1986) and “let me be the one” (1987). both singles helped to break freestyle music, then called “latin hip-hop” at pop radio in new york, chicago, los angeles and miami.
in the summer of 1988, safire released her self-titled debut album on polygram records. the lead single,“boy, i’ve been told,” penned by marc anthony, peaked at #48 on the hot 100 (an accomplishment for a dance song at the time) helped safire land the cover of the spin magazine, becoming the first latina artist to do so.
the follow-up single, “thinking of you”, would become her biggest hit to date across multiple formats. written by safire in memory of her uncle mario santiago who died of AIDS complications in 1984, “thinking” was a heartfelt remembrance of those lost during the onset of the epidemic.
the spanish translation of the song, “el recuerdo de ti”, translated by actor-singer ruben blades, was featured in a AIDS awareness public service announcement that aired on spanish language markets in both the US and across latin america.
in 1989, the number of U.S. reported AIDS cases reached 100,000. safire’s breakthrough hit also served as a breakthrough in HIV prevention messaging targeting latinxs during a period when targeted prevention messages were non-existent.
safire later received an ASCAP song writing award for “thinking.” she continued to record and perform but was not able to duplicate the success of “thinking.” 30 years later, we are still filled with gratitude that she used her platform to raise awareness about HIV. and because of her, her uncle mario santiago will never be forgotten.
our hearts are heavy. just received the rebuke stating news that brayan has passed. i met brayan two years ago after he reached out expressing interest in sharing his story with the project. he drove over an hour to los angeles to meet with me. i am so grateful we shared time & space. the universe now exists without one of the sweetest and most gentle humans i have ever met.
May is Mental Health Awareness Month, so #KikiswithLouie engaged in an indepth conversation with Shamir, a young queer artist who sheds light on his experiences with his music career and mental health
This #KikisWithLouie is dedicated to Nigel Shelby and all the LGBTQ youth of color like him who are facing harassment and bullying. LGBTQ youth of color deserve to lead safe and healthy lives in supportive and non-toxic environments. In the latest #KikisWithLouie, Louie returns to Philadelphia to discuss navigating stigma and harassment with young leaders at Galaei , a local queer Latinx social organization that sustained Louie when he was a teenager.
Everyone loves a good natural glow! For Brendan Jordan, makeup is a powerful tool as a means for expressing himself and all of his shine. Come get ready with Louie and a little make-up “beat” by Brendan himself. This episode clearly proves that with a little sparkle and shine anyone can Glitter like Mariah Carey!
psa. if we’re mutuals, we’re automatically friends. u don’t need to say things like “sorry to bother” or “sorry im annoying” bc ur not. ur my friend. u can come to me for anything. u need help? im here. wanna chat? hmu. just wanna gush abt your muse? go for it. we’re friends. ily.
miss-tries-way-too-hard
